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Monday, April 19, 2021

Authors On True Crime

Crime fiction spends a great deal of time sorting through the chaos to find some order, a sense of resolution for the often inexplicable madness of murder. Real crimes, however, don't work that way. Evidence is misfiled, suspects evade arrest on technicalities, investigations stretch out for years before an end comes in sight--if at all. True crime is a messier affair.
Sarah Wienman, The Daily Beast, May 2010

What is there to say about true-crime books? They're fun. They can be intellectually compelling, and, like the fictional variety from [crime novelists] Hammett, Cain and that crowd, they're more often than not rooted in the far side of respectability or polite society. Most every writer wants to write one. The trick is to come up with the right crime, the right crook or issue.

Peter Manso, The Huffington Post, July 2011

A number of popular true crime writers today (and yesterday) like to fluff up their narratives with figments from their imaginations, and often sugarcoat the details about a crime for what they think will bring them a wider reading audience. But I don't do that. It's not fair to the memories of the victims, their families, or the cops who worked the cases and brought the killers to justice. I tell it like it is, and I've been told time and time again by victims' families that this is the way they want their loved ones' stories to be told--truthfully, even though it is painful. Seeing things made up, they tell me, is more painful to them because often times the criminals become glamorized in a sense. You won't find glamorized killers in my books.

Gary C. King, All Things Crime, July 2013

True crime writing draws upon the methods of nonfiction and fiction, turns the American dream of picket fences and summer picnics into the American nightmare; solicits a particular kind of reader response, and cautiously toes the line between fact and fiction, and the temptation on part of the author to "create and embellish" for the sake of art. True crime writing can be understood as a style, a form, and a genre of universal appeal forever embedded in our popular culture, however sensational and exploitive it has become. Styles of writing and the themes portrayed are often grisly, morbid, and voyeuristic, thus obscuring the work of serious crime historians attempting to establish important links between economic conditions, social mores, and the day-to-day living conditions of people in a given place and time.

Richard Lindberg, richardlindberg.net, 2002 

1 comment:

  1. As a true crime writer, I enjoy the fact that the true crime genre snatches the blanket of security off of society. The challenge to the writer is that he/she must engage the audience, utilizing the facts of the case without sounding like a newpaper article. In order to do this effectively the writer must call upon his/her above average imagination to tell society about the monsters and victims that we share this planet with.