Unlike tragedy, a sense of humor is determined by many factors: our age, our socioeconomic backgrounds, our culture. What most of us consider tragic is fairly static, though something tragic can be made funny by comic techniques such as repetition. In Nathanael West's A Cool Million, the hero keeps losing limbs and other parts of himself as he makes his way in the world until there is very little that's left of him. You lose one limb or all your limbs at once, that's tragic. But if you lose them little by little, as well as an eye, your teeth, your hair, you start defying logic, and once you've transcended logic, most people will laugh in spite of themselves, even if they find something a little horrifying at the same time.
Simply put, tragedy has serious and logical consequences. Cause and effect. Comedy usually doesn't. You throw a person off a tall building in a comedy, he bounces. You throw someone off a building in a tragedy, don't wait for the bounce. [In an era of extreme political correctness, so many subjects are off-limits that comedy derived from tragedy is almost impossible.]
Robin Hemley in How to Write Funny, John B. Kachuba, editor, 2001
Simply put, tragedy has serious and logical consequences. Cause and effect. Comedy usually doesn't. You throw a person off a tall building in a comedy, he bounces. You throw someone off a building in a tragedy, don't wait for the bounce. [In an era of extreme political correctness, so many subjects are off-limits that comedy derived from tragedy is almost impossible.]
Robin Hemley in How to Write Funny, John B. Kachuba, editor, 2001
No comments:
Post a Comment