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Sunday, April 30, 2017

Revisionist True Crime Books

     There are  a number of reasons why historic, celebrated crimes are vulnerable to revision by true crime writers. For one thing, a new angle on an old case, particularly a famous one, comprises an attractive publishing opportunity. Since Americans tend to be more interested in injustice than justice, it's hard for hack writers to resist turning cold-blooded killers into victims of heavy-handed prosecutors and cops. Since complicated, intrigue-filled mysteries are more fascinating than cases involving more straight-forward, obvious explanations, revisionist true crime writers prefer conspiracies over cases that feature lone-wolf criminals.

     Putting together a phony conspiracy theory requires a certain kind of journalistic tunnel vision. The author must carefully avoid the evidence that does not fit into his narrative, and the more outrageous the theory, the more facts the writer has to sweep under the rug or explain away.

     Sometimes in their eagerness to plug a new conspiracy into a historic case, revisionist writers, by ignoring the truth, deprive themselves of a more fascinating, truthful account. The Lindbergh kidnapping case is a good example of replacing a dramatic story with a lot of conspiracy nonsense.  

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