If you're writing a novel where you are not springing an actual physical trap on your protagonist, think about other less dangerous entrapments. They can be benign, like staging a surprise party for a notoriously shy protagonist; sending a character who is inappropriately dressed to a fancy party or dangerously cold environment; or sending him into a room where another character is fuming with anger. Or it can be a situation in which an antagonist wrests information, a promise, or a concession from your protagonist, who gives in against his better judgement.
Jessica Page Morrell, Between the Lines, 2006
Jessica Page Morrell, Between the Lines, 2006
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