Unlike most novels, great short stories make us marvel at their integrity, their economy. If we went at them with our red pencils, we might find we had nothing to do. We would discover there was nothing that the story could afford to lose without the whole delicate structure collapsing like a souffle or meringue. And yet we are left with a feeling of completeness, a conviction that we know exactly as much as we need to know, that all of our questions have been answered.
Francine Prose in On Writing Short Stories, edited by Tom Bailey, 2000
Francine Prose in On Writing Short Stories, edited by Tom Bailey, 2000
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