Nothing in the world is inherently interesting--that is, immediately interesting, and interesting in the same degree, to all human beings. And nothing can be made to be of interest to the reader that was not first of vital concern to the writer. Each writer's prejudices, tastes, background, and experience tend to limit the kinds of characters, actions, and settings he can honestly care about, since by the nature of our mortality we care about what we know and might possibly lose (or have already lost), dislike that which threatens what we care about, and feel indifferent toward that which has no visible bearing on our safety or the safety of the people and things we love. Thus no two writers get aesthetic interest from exactly the same materials.
John Gardner, The Art of Fiction, 1984
John Gardner, The Art of Fiction, 1984
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