Reading about first draft writing tactics has made me realize how many I've unconsciously developed over the years. [Shouldn't that be subconsciously?] One key anxiety reducer I've learned is not to worry about beginnings. It's too easy to panic while waiting for the perfect opening. Fiction writers typically know the conclusion of a story they set out to write, but rarely know how it will begin. Good leads usually show up late. In my own writing and that of my students, I generally find the best opening deep within a narrative. This opening only makes itself known as I read drafts, see what catches my eye, something that sets a tone, that gets the piece up and running. Knowing this, I don't concern myself with beginnings until the end.
Ralph Keyes, The Courage to Write, 1995
Ralph Keyes, The Courage to Write, 1995
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