In the documentary film, you want to avoid creating unnecessary drama--turning a perfectly good story into a soap opera. There's no reason to pull in additional details, however sad or frightening, when they aren't relevant…
False emotions--hyped-up music and sound effects and narration that warns of danger around every corner--is a common problem, especially on television. As in the story of the boy who cries wolf, at some point it all washes over the viewer like so much noise. If the danger is real, it will have the greatest storytelling impact if it emerges organically from the material.
Sheila Curran, Documentary Storytelling, Second Edition, 2007
False emotions--hyped-up music and sound effects and narration that warns of danger around every corner--is a common problem, especially on television. As in the story of the boy who cries wolf, at some point it all washes over the viewer like so much noise. If the danger is real, it will have the greatest storytelling impact if it emerges organically from the material.
Sheila Curran, Documentary Storytelling, Second Edition, 2007
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