The Big Scene

I can always tell when a writer has rushed through a scene or written around it in order to get to the good stuff. The dialogue is hurried, like the wedding vows in a tired old comedy where the bride's in labor. Descriptions are sketchy or nonexistent. Too often, the scene isn't even there; the novelist has lifted it out and thrown it away, or not written it at all. At best, this leaves an annoying gap. At worst, the "good" scene has not been set up and so it falls in like a cake because someone skimped on the eggs. In between is a lost opportunity, because sometimes the scene you dreaded most turns out to be the best in the book.

Loren D. Estleman, Writing the Popular Novel, 2004