In later 1999 I wrote a short book called Gorgons in the Pool. Quoting lengthy passages from prize-winning novels, I argued that some of the most acclaimed contemporary prose is the product of mediocre writers availing themselves of trendy stylistic gimmicks. The greater point was that we readers should trust our own taste and perception instead of deferring to received opinion...A thriller must thrill or it is worthless; this is as true now as it ever was. Today's "literary" novel, on the other hand, need only evince a few quotable passages to be guaranteed at least a lukewarm review. It is no surprise, therefore, that the "literary" camp now attracts a type of writer who, under different circumstances would never have strayed from the safest crime-novel formulae, and that so many critically acclaimed novels today are really mediocre "genre" stories told in an amalgam of trendy stylistic tics.
B. R. Myers, A Reader's Manifesto, 2002
[This is a groundbreaking book that exposes the bad, unreadable writing of, among others, "literary" novelists Don DeLillo, Annie Proulix, Paul Auster, David Guterson, and Cormac McCarthy.]
B. R. Myers, A Reader's Manifesto, 2002
[This is a groundbreaking book that exposes the bad, unreadable writing of, among others, "literary" novelists Don DeLillo, Annie Proulix, Paul Auster, David Guterson, and Cormac McCarthy.]
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