Horror is a genre with certain identifiable characteristics. When people who enjoy horror read your story, they are not reading it in a vacuum. They are reading it as part of a genre, constantly comparing your story to other horror stories they've read. If I had never read Edgar Allan Poe's "The Tell-Tale Heart" and then a story very much like it, readers who know Poe's story may not be quite as thrilled with my big surprise ending as I had hoped. To them it's no surprise. They've read it before, only a better version.
To be a creative, innovative horror writer, you must read a lot of everything--and a lot of that everything must be horror. You may be thinking: How can I be creative and original with all these other authors' ideas floating around in my head? This is critical: The sheer amount of material floating around in your head will actually prevent you copying from any one author in particular.
Instead, you will find a tiny piece of character from this book, a tiny piece of plot from that book, a certain stylistic technique from that other--to combine into something totally new. It is the writer who reads only Stephen King who will turn out stories that sound like Stephen King--on a very bad day.
Jeanne Cavelos in On Writing Horror, Mort Castle, editor, 2007
To be a creative, innovative horror writer, you must read a lot of everything--and a lot of that everything must be horror. You may be thinking: How can I be creative and original with all these other authors' ideas floating around in my head? This is critical: The sheer amount of material floating around in your head will actually prevent you copying from any one author in particular.
Instead, you will find a tiny piece of character from this book, a tiny piece of plot from that book, a certain stylistic technique from that other--to combine into something totally new. It is the writer who reads only Stephen King who will turn out stories that sound like Stephen King--on a very bad day.
Jeanne Cavelos in On Writing Horror, Mort Castle, editor, 2007
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